Boehm Releases Summery “Swallow My Pride” Remix Package

Just in time for the long holiday weekend closing ­out the summer, Romanian wunderkind Boehm drops a sun-kissed remix bundle for his majestic track "Swallow My Pride." Viceroy kicks off the package by injecting his signature "jet life" sound with a piano-house mix before LA native PLS&TY warps the velvety vocals of Molly Moore to deliver a sparkling future bass rework oozing with poolside vibes.
 
Few producers have experienced such a sudden rise to prominence quite like Boehm has. Through a bevy of standout remixes, his signature production techniques eventually caught the attention of Dim Mak label head Steve Aoki, who brought him aboard for official remix duties on Aoki’s massive crossover single “I Love It When You Cry (Moxoki).” Boehm then tapped the dreamy vocals of Molly Moore for his first original release on Dim Mak, “Swallow My Pride,” which went on to be streamed over 1.7M times on Soundcloud and Spotify combined. He then released the progressive house collaboration with Steve Aoki “Back 2 U (feat. Walk The Moon),” which peaked at #15 on iTunes’ Dance charts. Boehm’s string of impressive releases has resulted in him enjoying a staggering 2.6M average monthly unique listeners on Spotify.
 
Through their knack for feel-good tunes and pristine sound design, PLS&TY and Viceroy have also made their mark on the electronic scene. PLS&TY recently made noise in the dance music blogosphere when he commissioned a remix package complete with a whopping 19 tracks for his collaboration with Autolaser “Hiding From The Rain.” Coincidentally, hiding from the rain is also the modus operandi of San Francisco’s own Viceroy, who brings his “summertime, all the time” production approach to Boehm’s single. Look out for Viceroy’s stellar remix in Boehm’s exclusive Poolside Mix, which is available for free download today to coincide with the release of the remix package.  

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Totemlost and 98.20.11 team up for 'Mirror's

Fresh emerging artists Totemlost and 98.20.11 have both been causing huge waves since they exploded onto the Dance music scene - and it is clear to see why. Armed with their record collections, which consist of some of the globe’s most thrilling Main Room bangers, between them they have already gained the support of many A-List stars such as Nicky Romero, Blasterjaxx, Above & Beyond, Chuckie, MAKJ and Tommy Trash - highlighting how talented in the studio they are.

Totemlost and 98.20.11’s recent time in the studio resulted in ‘Mirrors’, a Progressive House infused Main Room anthem that is sure to cause mayhem on dancefloors worldwide. Full of driving bass-lines, mesmerizing melodies, perfectly crafted synth work and featuring the stunning vocals of American singer/songwriter Tyler Garrett, ‘Mirrors’ is a must have record for any DJ’s record collection - a worthy inclusion in any peak time set.

The release of ‘Mirrors’ will see Totemlost make his highly anticipated return to Blow The Roof Records and will see 98.20.11 makes his debut on the label. The exciting UK based imprint has already been turning the heads of many music lovers on an international scale, thanks to their commitment to only releasing projects of the highest quality. ‘Mirrors’ is out now and is set to project both Totemlost and 98.20.11 higher up the EDM ladder.

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Pitbull adds new flavor to Deorro and merengue star Elvis Crespo’s “Bailar”

Mr. Worldwide himself, Pitbull, brings new flavor in the form of his signature flow to Deorro and Grammy/Latin Grammy Award-winning Merengue singer Elvis Crespo’s summer collaboration “Bailar.”

“Bailar” has already taken the world by storm, landing at #1 on iTunes in 4 countries and Top 5 in 8 countries, #1 on the Shazam overall in 3 countries, as well as peaking at #2 on the iTunes US Latin Chart, impacting the Spotify Global 100 and hitting #1 on Beatport’s Electro-House Chart and #4 on Beatport’s Overall Chart. The track’s official music video boasts more than 16 million streams to date.

The newest iteration of “Bailar” is anchored by Pitbull’s unmistakable fiery vocals, paired with Crespo’s chorus croons to make for a bilingual dance-floor igniter that leaves listeners wanting to “bailar” all night long. No stranger to stepping outside the traditional electronic sphere, Deorro’s production of “Bailar” bolsters his already diverse musical catalogue, blending his signature electronic music style with uptempo 3-step Merengue beats and lively horn riffs.

Since bursting into the limelight in 2014 as the highest new entry spot on DJ Mag’s top 100 list, Deorro has rapidly gained attention worldwide as one of the most sought-after producer/DJs in the business. Currently one of Spotify’s top 95 most streamed artists in the world, the Los Angeles native has compiled a genre-bending discography including numerous originals as well as collaborations and remixes with heavy-weights such as Diplo, Steve Aoki and Axwell. In addition to producing his own music, Deorro devotes his time to his PandaFunk label where he’s signed some of the newest upcoming acts in the industry.

For more information on DEORRO visit: www.twitter.com/Deorro

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CONTEST: Paul van Dyk & Alex M.O.R.P.H. "We Are" - VANDIT

We are not lost. We are not afraid. We are not filled with hate. We are the most technologically advanced civilization in human history and we will not be cowed by ignorance nor fear-mongering. We are loving. We are strong. We are one.

The time is right to join together in peace and humanity. “We Are” (VANDIT) is the new collaboration from trance kingpins, Alex M.O.R.P.H. & Paul van Dyk. “We Are” is out now.

The Original Mix of “We Are” kicks-off with a hard-hitting 4/4 beat and booming, low-end bass that makes bodies move. The energy and excitement of the track gradually build in layers as synthesizers stealthily enter with their minor-chord commotion until....bang! Melodic progressions of sunshine-filled synths arrive while distorted stabs add accent and the energy builds. By the time the bassline fully appears, listeners know they’re in for something exceptional. It’s a testament to Alex M.O.R.P.H. and Paul van Dyk and their innate skill at reading a crowd that the first big chord change utterly grabs one’s attention. Here is a track to remind today’s EDM-saddled youth what quality electronic dance music really is and why so many people fell in love with this sound in the first place. “We Are” is electronic dance music as it should be, at its purest and best. “We Are” unlocks something within the listener’s brain and commands the body to react in a reliably ecstatic way. The Radio Edit of “We Are” takes the essential elements of the original and boils them down into a tight package suited for radio.

The time is right to join together in peace and humanity. Trance titans Alex M.O.R.P.H. & Paul van Dyk want to see who you are! 

IT'S EASY:

1) Take a pic or 6-second (max) video clip (sans audio)

2) Tag your media with the hashtag #WeAre

3) Upload to your socials....that's it!

Paul van Dyk, Alex M.O.R.P.H. and VANDIT Records will track your posts and select one (1) winner in each of the following territories for a very special backstage meet-and-greet with PvD and M.O.R.P.H. at a show near you coming soon: 1) North America; 2) Europe & the UK; 3) Australia; 4) Asia; 5) South America; 6) South Africa.

 Hurry! Contest ends at 11:59pm EDT September 12th, 2016.

The new single from Alex M.O.R.P.H. & Paul van Dyk, "We Are" (VANDIT) is out on September 2nd from the forthcoming studio album, Not All Superheroes Wear Capes (VANDIT). (Legal disclaimer: Prizes do not include ground transportation or accommodations. You must be age 21+ to enter this contest. No purchase necessary. Void where prohibited.)

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Gudrun Von Laxenburg’s ‘Revolution’

The people’s courage has been ignited. Ignited to revolt against the system built on oppression and police violence. The result of love in a dystopic future. Revolution. - GVL

Austrian electronic band Gudrun Von Laxenburg step into unexplored territory with their audio and visual project, “Revolution.”

The trio bring heavy instrumentation to their musical offerings, backed by a sensory live performance. Nailing down visual representation, “Revolution” plays out more like a Hollywood blockbuster action film than the standard music video.

Directed by Sebastian Mayr, “Revolution” illustrates an uprising ignited by love in a dystopian future, where military personnel and civilians clash to capture the aesthetic set by Gudrun Von Laxenburg.

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RUDIMENTAL REVEALED AS THE CREATIVE FORCE BEHIND UNDERGROUND IBIZA CLUB HIT ‘HEALING’

BRIT Award-winning collective Rudimental have been revealed as the creative force behind the huge underground club hit ‘Healing’ (https://BigBeat.lnk.to/Healing). Originally white labelled, then listed as fictional artist Major Tom, (after the band’s Hackney studio and new record label), Annie Mac revealed the true origins of the track on her Radio 1 show, commenting “this is so perfect for Café Mambo at sunset; it couldn’t be more perfect”.

The house-infused track is layered with Rudimental’s signature horns and an addictive baseline, reminiscent of their previous releases, “Baby” ft. MNEK & Sinead Hartnett and “Rumour Mill” ft. Annie-Marie & Will Heard With vocals from Roc Nation’s rising star, J Angel, ‘Healing’ has fast become the soundtrack to clubs around the world this summer, particularly the home of dance music, Ibiza, with DJs including Calvin Harris, Groove Armada, Roger Sanchez, Crookers, Oliver Heldens, Todd Terry all dropping the track in their sets.

Rudimental embarked on their first ever headline world tour earlier this year, which saw them play live to as many as 80,000 people a night across Australia, America and Europe, including a sold out show at London’s O2 Arena. They have since spent the summer working on new material and taking the Rudimental party global, DJing and performing live in clubs and festivals around the world.

Rudimental’s second UK #1 studio album, “WE THE GENERATION,” which featured their single “Lay It All On Me” ft. Ed Sheeran (along with a VIP Mix edit that included Vic Mensa & Big Sean), was released last year to rave reviews and poignantly included the very last vocal recordings from the late, great Bobby Womack. It followed the band’s debut album “Home,” also released to critical acclaim back in 2013, earning them a Mercury Prize nomination and a BRIT Award.

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Autoerotique Drops "Kids Don’t Care" Remix Package

 Autoerotique’s wubby Kids Don't Care EP gets a facelift (or bass-lift, if you will) in the form of four insane remixes. Autoerotique kicks off the package by flipping "Ratchet" on its head with a nasty trap VIP edit beforeEXSSV delivers a dubstep-influenced monster. Salt Lake City’s own Heartsprovides a thumping bass-house rework while TheElement goes a similar route, closing out the package with a rhythmic low-end banger.
 
Since Autoerotique’s original Kids Don’t Care EP reached #1 in Beatport’s Top 100 Electro House releases, the Toronto-born bass producer hasn’t missed a beat this year. After kicking off 2016 with a Juno nomination for “Dance Recording of the Year for “Badman (Torro Torro Remix)” with fellow Dim Mak slugger Max Styler, he dropped “The Sound” with dancehall barons Major Lazer. He followed with the bass house heater “OTF” on Fly Eye with fellow Toronto native Hunter Siegel, rapidly gaining support from Calvin Harris,Skrillex, Martin Garrix, Hardwell, Oliver Heldens, Kaskade, Afrojack, andThe Chainsmokers, who dropped it live at Electric Daisy Carnival Las Vegas. Keeping the momentum alive, he then unleashed his massive Steve Aokicollaboration “ILYSM,” which appeared on the Dim Mak label head’s 4OKI EP and has been streamed nearly 4.5M times on Spotify.
 
While the above-mentioned tracks are appearing frequently at big shows nationwide, so is the man behind them. Just this year, Autoerotique has thrown down at Mad Decent Party in Fort Lauderdale, HARD Summer in Los Angeles, and the world-renowned Red Rocks Red Rocks Amphitheatre in Colorado. He is also set to make an appearance at The Talking Stick Resort for Dim Mak’s official 20th Anniversary show in Scottsdale after dropping a killer set at the tour’s Miami stop.

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