Heron Preston Fall 2018 Menswear

Designer Heron Preston showed his third womenswear and menswear collection for his eponymous brand, titled “Public Figure,” an aesthetic riff on influencer culture and self-declared celebrity.

For inspiration, Preston decided to play with observations of his surroundings on the “influencer jet stream,” a term for the highly attended cultural churn of annual events, from Art Basel in Miami to global fashion weeks (one can find a list of such events printed on a shirt in the collection under a sparkling crystal globe).

In our current culture, “Public Figure” is a title one can select for oneself on Instagram, and the patterns and proclamations of these “Public Figures” are present in the details of Preston’s Fall/Winter 2018 collection.

Graphics in the new collection bestow pseudo-titles like “Influencer” and “Public Figure”, a playful take on the intensely curated self-display that we see en masse on social media, meant to be worn and made visible in meta-context.

The labels appear across the front of camouflage pants—with a new take on the print that focuses on leaves with rich colors—as well as on denim jackets and polos. “If you buy a polo from Heron Preston you are an influencer,” the designer jokes. “Who is to argue that?”

For this season, Preston merges his covetable workwear aesthetic with new luxury materials, introducing a range of new accessories, including handbags, footwear, and eyewear. The first Heron Preston handbag, The Canal Bag, is a dual flap shoulder bag with snakeskin and calf-hair, designed with two pockets and a bright orange Heron Preston branded strap and complemented by the brand’s eye-catching orange pull tab with “Pull” instruction playfully printed on it. A construction inspired thick sole boot comes in snakeskin, black and camouflage printed leather, with the “Style” logo printed in red. The collection also introduces sunglasses, with tortoiseshell and rose, black, and red and orange colorways with branding on the frame, inspired by glasses Preston was gifted (as an influencer, naturally) and wore himself. All branding, from the silver embossed Made In Italy to the signature orange label and serial numbers appear on the outside of accessories in the collection.

Womenswear offerings continue to evolve in this collection, which includes a snakeskin leather dress, crushed velvet bodysuits, and for the first time, women’s suiting, with a two-tone oversize blazer and skirt. Preston also worked with luxury shearling and faux fur for the first time, letting elevated materials have a playful dialogue with his workwear influence.  A crystal application of the “СТИЛЬ” logo updates Preston’s signature for Fall/Winter 2018.

Fall/Winter 2018 also marks the debut of Heron Preston’s NASA collection, an idea the designer teased in December 2013 when he appeared in a Styles Section piece in the New York Times under the headline, The Street Wear Designer Heron Preston Has His Eyes on NASA. This season, which coincides with the space agency’s 60th anniversary, Preston’s self-declared dream collaboration will be a reality.

The Heron Preston NASA capsule is a NASA-inspired collection that taps on the agency’s authentic 1975 logo, which consists of the word "NASA" in a unique type style, nicknamed the "worm." The NASA “worm” logo, originally discontinued in 1992, is resurrected with Preston’s FW18 collection.

Inspired by the outer layer of Extravehicular Mobility Units, or spacesuits, Preston interprets the iconic uniform in the form of a 3M nylon space jacket, a silver denim logo jacket, and a multifunctional convertible backpack (which can also be worn as a fanny pack or tote bag). The collection is branded with “fall/winter 1990” as an homage to the former logo. 

Rounding off the Fall/Winter 2018 collection, Heron Preston introduces a new collaboration with Carhartt WIP. Early in his career, Preston re-worked and styled vintage Carhartt WIP jackets for his website, and the brand’s iconic canvas workwear remains essential to the Heron Preston DNA. This new collection will combine the classic canvas with Preston’s crystal “СТИЛЬ” logo, a high fashion stamp on utilitarian garments.

The collaboration includes a fanny pack, beanie, jacket, vest and pants, all treated and paint splattered for a deep wear look, and accented with Heron Preston’s signature orange trim. The treatment marks Preston’s reverence to workwear as functional protective layers, capturing a moment in the clothing’s life that makes it striking.

To shop Heron Preston, visit: https://www.heronpreston.com/en/US

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Altuzarra Pre-Fall 2018

"Altuzarra tends to be celebrated for his clothes’ seduction factor, but a utilitarian strain has always defined his best work." -VOGUE

Altuzarra pre-fall 2018. See collection.

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J&M Davidson SS18

Photography by Tim Elkaïm

For Spring Summer 2018, J&M Davidson takes us on a colorful journey via Mexico City and Istanbul, with a vibrantly-hued palette and bold silhouettes inspired by the cities’ striking landscapes.

The collection transports one effortlessly from city to city, with designs that capture the bohemian spirit of an urban nomad. Subtle details, tactile textures and bold proportions lend the collection a spirited, optimistic attitude.

Vividly saturated colors lifted from the canvases of Diego Rivera, Henri Mattisse and David Hockney embolden romantic peasant blouses and maxi dresses in fuchsia pink and apple green, evoking Mexico’s candy-striped buildings. The yellow floral silk brocade Anatolia coat, inspired by those traditionally worn during the Ottoman Empire, stands out alongside the masculine-meets-feminine twill Piper jacket, natural hemp Hobie duster coat and striped Anatolia coat in ecru and navy blue linen. Paired with the white cotton organdie Rose dress and easy, airy Ariel top, the collection captures the cool blend of androgyny and nonchalant femininity synonymous with J&M Davidson.

The shapes and colors of the Spring Summer 2018 handbag styles reflect the relaxed mood of a modern day vagabond – uncomplicated silhouettes in rich navy, sahara beige and caramel, as well as Mediterranean camellia pink and China blue. The new silhouettes include the Axel – an effortless, everyday suede tote that’s practical and unfussy, with a handy pocket hidden at its base: ideal for a woman on the move. For evening, the Eleonor handbag is something a little more structured while still insouciant – the brass hardware, oblong shape and sturdy frame allow it to make a quiet statement. Smaller but no less smart, the Aime is a vintage-inspired top-handle bag brought up to date with a discreet row of studs – it’s elegant yet carefree, much like the J&M Davidson woman.

With its exotic color palette, effortless charm and bohemian flare, the Spring Summer 2018 collection conjures up a sense of urban escapism.

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Moschino Spring 2018 Ready-To-Wear

Biker ballerinas were Scott’s story on the runway: leather jackets, satin bustiers, tulle tutus, and fishnets in a couple dozen variations, with some DIY tees thrown into the mix. “Shirt happens,” one read.

VOGUE

Jeremy Scott delivered a bouquet of fashion to the Moschino runway for Spring 2018.

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LANVIN Resort 2018

LANVIN Resort 2018 - see collection.

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adidas by Stella McCartney previews Fall/Winter 2017 collection at the first Stella’s World presentation in Tokyo

An exclusive debut of the season’s key looks showcased via virtual reality

Experience the collection’s two parallel worlds, city and nature, on a whole new level

Featuring Japanese influencers Yuka Mannami and Chiharu Okunugi

adidas by Stella McCartney today debuts the Fall/Winter 2017 collection via an immersive virtual reality experience set to bring the season’s key looks to life. The journey is designed as part of the presentation of The Stella McCartney collections in Tokyo, which also include her womenswear and menswear mainlines, accessories, eyewear, swimwear and the newly launched fragrance POP Blubell. At the event’s adidas by Stella McCartney showcase, guests will move seamlessly between the collection’s two parallel worlds - city and nature - as the four leading looks are showcased in action.

“City life and the outdoors both provide a boundless source of inspiration for me. The new FW17 collection exemplifies that in the nature-inspired prints, detailing and the different technologies used. Every design has been considered so women can get creative and thrive in different environments, no matter what workout they’re doing or what the weather is like. We wanted this to come across in a fun and innovative way, which is why we’ve created this playful virtual reality experience,” explains Stella McCartney.

Immersing themselves in the collection in an entirely unique and engaging way, guests will be invited to embark on a VR journey that places them at the heart of a 360° experience, which will begin once they are led through a gallery featuring FW17 campaign and lookbook imagery. The viewers will then be ‘transported’ between the two, parallel worlds the collection is inspired by, as the new adidas by Stella McCartney visual identity is weaved throughout the experience. Set in these contrasting environments, guests will be presented with a preview of the Run, Train and Yoga range within four scenarios designed to demonstrate the workout opportunities each look draws on.

As guests ‘jump’ from one look to the other, they will find themselves in the centre of a continuous virtual experience taking place all around them. With synchronised movement expressed by a circle of four female athletes, including Japanese influencers Yuka Mannami and Chiharu Okunugi, all four women will perform the same movements in unison within each scenario. The looks include: the head-to-toe sustainable city Run look, the warp knit HIIT Train look, the off-road winter trail Run look, and the shanti power, seamless separates Yoga look.

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BIBHU MOHAPATRA RESORT 2018

This collection celebrates the 21st Century young female leaders who have a unique voice that inspires their own generation and the generations to come.

Bibhu Mohapatra Resort 2018 collection celebrates the 21st Century young female leaders who have a unique voice that inspires their own generation and the generations to come. Mohapatra hopes to inspire the leaders of tomorrow with inner strength, confidence, courage and drive to make a difference by rising above all differences. The inspiration is very much present through the collection with strong, sleek architectural silhouettes.

From the first look a white crepe day dress with cut crystal embroidery, to the watercress print that is seen in the more playful separate pieces and in an embroidery that cascades down a sleek column skirt. Mohapatra is one that is never afraid to play colors, and we see that with his bright pinks and reds that are accented through out the collection. Photos: Kevin Sturman

Bibhu Mohapatra is a New York based and Indian born luxury women’s-wear designer. Before launching his eponymous label at New York’s Fall 2009 New York Fashion Week, he was the Design Director at J.Mendel for almost a decade. His label is currently sold at Bergdorf Goodman, Neiman Marcus, Harvey Nichols, Saks Fifth Avenue, Lord & Taylor, and specialty boutiques in North America, Europe, Russia and the Middle East. To date, celebrities such as Gwyneth Paltrow, Hilary Swank, Glenn Close, Janelle Monae, Lupita N’youngo, Jennifer Lopez and Taraji P. Henson have all worn Bibhu’s designs, and he has had the honor to dress former US First Lady, Michelle Obama. In January 2010, Bibhu was a finalist in the Women’s Apparel 2010 Rising Star Award presented by the Fashion Group International. In May 2010 he received the Young Innovator Award from the National Arts Club and in June 2010, became a member of the Council of Fashion Designers of America (CFDA). Bibhu received the Ecco Domani Fashion Foundation Award in January 2011 and was a US finalist in the 2012 International Woolmark prize. In 2014 Bibhu signed his first licensing deal with BCI one the largest fur manufactures in North America. This then led to his 2016 launch of his first ever full fledge diamond collection in collaboration with Forevermark India.  

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