Ralph Lauren Will Contribute $10 Million to Coronavirus Relief Efforts

ralph lauren foundation covid fashionado

The fashion industry has felt the impact of the coronavirus pandemic at every level of its business, with charitable and legislative plans to support brands, retailers, designers, and employees that have been affected by the crisis emerging slowly but surely over the past two weeks.

Thursday, Ralph Lauren announced a major donation that provides serious support to his employees as well as global relief efforts. His Ralph Lauren Corporate Foundation set out a plan to give $10 million to four charitable organizations. Conglomerates like Kering and LVMH have donated millions of euros in cash in addition to producing masks and other equipment for European health authorities. Lauren’s, meanwhile, is the largest amount given in a single donation of any fashion company so far, and the kind of meaningful, major statement that many in the American fashion community have been waiting for.

“At the heart of our company, there has always been a spirit of togetherness that inspires our creativity, our confidence, and most importantly our support for one another,” Lauren, who serves as executive chairman and chief creative officer, said in a press release. “In the past weeks and months, that spirit has never wavered.”

In the release, Lauren outlined a plan to split the money between four major organizations, with the goal of providing relief to his own employees, support for global efforts to fight the spread of coronavirus, and financial assistance to American designers. The first organization is the Emergency Assistance Foundation, an American nonprofit that creates employee relief funds, and which will provide grants to help employees of Lauren’s corporation to assist with medical care or the care of family members. Sums will also go to the World Health Organization’s COVID-19 Solidarity Response Fund, and Ralph Lauren’s Pink Pony Fun for cancer research.

Lastly, $1 million dollars of the donation will go to A Common Thread, the initiative launched earlier this week by the Council of Fashion Designers of America and Vogue to support designers and those behind-the-scenes who have been impacted by the coronavirus.

The company’s release added that it is also exploring the production of medical-grade masks, gowns, and other personal protective equipment. As GQ reported yesterday, fashion designers’ production of much-needed masks has been riddled with roadblocks and red tape. Leadership from an organization of Lauren’s size could make the manufacturing of those supplies far more effective.

Source: GQ

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CFDA + Vogue Launch Program to Fight COVID-19

In response to the pandemic, the CFDA/Vogue Fashion fund has been repurposed and rechristenend A Common Thread. Tom Ford and Anna Wintour Photo credit: Clint Spaulding/WWD

In response to the pandemic, the CFDA/Vogue Fashion fund has been repurposed and rechristenend A Common Thread. Tom Ford and Anna Wintour Photo credit: Clint Spaulding/WWD

“What can we do?”

Anna Wintour posed that question to CFDA chairman Tom Ford earlier this month in reference to the coronavirus pandemic that has devastated the fashion industry. Both notoriously proactive and intrepid, they came up with a plan within days: to repurpose the CFDA/Vogue Fashion Fund, shifting focus from emerging designers to all the American fashion community who are severely financially impacted by the COVID-19 fallout.

The initiative, renamed A Common Thread, aims to raise awareness as well as money. Beginning March 25, designers and those who work behind the scenes across the industry can submit videos in which they tell their fashion stories, including the impact of the pandemic on their careers and lives. The videos will live on the digital platforms of the CFDA, Vogue and all Condé Nast titles. The program utilizes the hashtag #cvffacommonthread.

Logo for A Common Thread, the CFDA/Vogue Fashion Fund COVID-19 Relief Fund.

Logo for A Common Thread, the CFDA/Vogue Fashion Fund COVID-19 Relief Fund.

Wintour came up with the name A Common Thread, the logo for which features a sewing needle and red thread in the shape of a rose, the needle pulling the thread and piercing the bloom. Word of the program will go out to CFDA membership today in a letter penned by Wintour, which she and Ford signed.

“It’s easy to feel helpless as the news changes hour by hour, and the challenges it all presents only seem to grow and become more insurmountable as time goes on,” it reads.

To lessen the sense of isolation and desperation, the message encourages members to take advantage of available city and state resources, listed on the CFDA web site. “Yet,” the letter continues, “the question remains for us: What can we do to help?”

A Common Thread is Wintour and Ford’s initial answer. Although the fund’s parameters have been fully defined, designers and brands seeking relief can apply on the CFDA web site beginning on April 8.

“We’ve created a fund, now we have to fill it. Then we have to figure out who gets that money,” Ford said on Monday, noting that significant details — criteria for consideration; who will decide how funds are allotted and to whom — “need to be fleshed out.”Already established: The program is open to designers and brands across the industry. They need not be former CFDA/Vogue Fashion Fund winners, nor even CFDA members. While the selection committee remains TBD, it will include people from both within and outside of Vogue and the CFDA, according to Ford.“We’re rushing to put this together as fast as possible because we want to let everyone have a voice in this. We want to do something,” he said.

See Also: Fashion Industry Comes Together to Fight Coronavirus Pandemic

The CFDA/Vogue Fashion Fund has awarded $6.6 million in prize money since its inception, with the most recent annual purse a total of $700,000 distributed among the winner and two runners-up. Those resources will be transferred to A Common Thread. In addition, there’s a crowd-funding element. As of today, donors can contribute by texting “thread” to 44321 or online at givelively.org, a fund-raising platform for nonprofits. Suggested amounts range from $5 to $100 to name-your-number.If that approach seems modest relative to the devastation wrought by COVID-19, Ford and Wintour will likely seek major-donor contributions going forward.

There is no reason that we’re not at some point going to be hitting up larger companies for bigger contributions,” Ford said. “It will really depend on what happens after all this is over. If it only lasts three months, I think we’ll be able to raise more money than if it drags on and on.”Yet it’s one thing to offer a young, fledgling designer-led company a first prize of $400,000 and mentorship by an industry leader to help kick-start his or her business. It’s quite another to, in a meaningful way, help an entire, vast industry comprised of thousands of businesses, many of them already challenged before the virus struck, to rebound in a landscape that’s almost completely dark, producing next to zero revenue for who knows how long. The level of relief required (if any amount will be enough) is more in line with that sought in a parallel CFDA effort spearheaded by Tory Burch made known over the weekend — explicit inclusion in the near-$2 trillion federal stimulus package now being battled over in Congress.Ford praised that effort, and stressed the necessity of its success. “I have to say, Tory has done a great job,” he said. He added that while the letter sent to President Trump and signed by the CFDA and a host of other industry organizations “was quite general,” in behind-the-scenes exchanges, “people were getting quite specific.”By comparison, what A Common Thread can deliver is modest. “We’re not senators,” Ford said, while noting that the two efforts serve overlapping but not identical purposes.To that end, A Common Thread’s storytelling component should resonate powerfully. “There is symbolism to it and in a way, maybe that’s the bigger part of it — uploading videos, putting faces to everyone who’s out of a job, who needs a job, giving them a place where they can communicate that. I think the power of that will affect the funds we’re able to raise, and from whom.“Whether you’re a seamstress or a tailor, whether you work in a shop, whether you’re a fashion designer, whether you’re someone who won the Vogue/CFDA Fashion Fund, you will [send in] videos to the site,” Ford continued. “I think that the more we can put faces to the individuals who are suffering, the more help we’ll be able to get.”

See Also: Fashion Groups Seek Government Aid

To that end, fashion suffers from an image problem. Though a huge industry that’s central to the economy and employs, including retail, millions of workers in a vast array of mostly unglamorous disciplines on every imaginable pay scale, generally, when people think of the fashion industry they don’t conjure images of seamstresses, patternmakers, production people and retail sales associates. Rather, they envision its glamour deities — celebrities like Wintour and Ford.Worse, they often project a world in a bubble, an elite, exquisitely dressed bubble whose denizens live to be on the front end of the next hot handbag launch while flaunting chic attitude. “Let’s face it, a lot of people think fashion is frivolous,” Ford said.

Wintour concurs that perception is not only misguided but dangerous, particularly now. “[Too many people] think about fashion in a very narrow sense,” she told WWD on Sunday. “They’re not thinking about all the different layers that are involved, whether it’s the factories or the supply chain or those who supply raw materials, or the truck drivers who deliver the goods. It stretches out so many different ways. I think it’s the biggest employer in the country. People are not thinking about it in that way. They’re thinking about it as a very niche business, and that is a mistake.”

One for which fashion itself must accept a share of responsibility. “People see the glossy surface,” Ford said. “That’s what we as fashion designers and the fashion industry work to show the world — we work to show people the glossy surface that makes them want to shop and buy the products. So they’re not aware of everything that goes on behind it.

”That must change now. “We have to educate,” Ford offered.

Which speaks to the importance of A Common Thread’s video project. “It’s very important to put faces to this,” he said, noting the resonant power of Tom and Rita Hanks going public with their diagnoses, as well as the tragedy of the New Jersey family that has lost four members to COVID-19. “When you see the photographs, when you hear the stories,” Ford said, “it touches you emotionally far more than statistics will.”

Source: WWD /  Bridget Foley

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OCTAVIUS MARISON DEBUTS FW 20/21 COLLECTION WITH FASHION DESIGN STUDENTS AT THE ART INSTITUTE OF ATLANTA

Photo Credits: Paras Griffin/GETTY and Art Institute of Atlanta’s Taylor Bareford; Phaedra Williamson

Photo Credits: Paras Griffin/GETTY and Art Institute of Atlanta’s Taylor Bareford; Phaedra Williamson

On March 14, 2020 the Art Institute of Atlanta made fashion history with their extraordinary, student-driven production which even made national headlines via E! News and Essence.com. The newsworthy event boasted a celeb-filled front row to include Eva Marcille, Angelica Ross, Dyllon Burnside, Terri J. Vaughn and Jamal Sims, who directed the show that provided the talented students of the Art Institute of Atlanta the experience of a real-world, first-class production. Students, faculty and administrators across all disciplines worked together in unison to produce the multi-media extravaganza: fashion design, photography, video & audio production, culinary arts, graphic design and interior design.

Sixteen fashion design students participated in the juried fashion premiere. They showcased capsule collections in menswear and ready-to-wear featuring a wide variety of genres, from eveningwear to gender-fluid fashion. It was evidently clear that the future of fashion is alive and thriving at the Art Institute of Atlanta. For added educational value and impact, the young designers were paired with professional fashion designers months before the runway show. The mentorship guided students to success while offering real-world working situations that included multiple fittings with professional models, critiques, garment mockups and working alongside industry professionals on all levels of production.

Visually, the fashion show was dynamic, from the set to the clothes to the choreography of the models. The set was designed and built by Carlton Lee Studios and featured two jumbo screens and a custom neon lit runway within the open air lower deck of the parking lot - think The Fast & The Furious, Tokyo Drift. To drive home the theme (no pun intended) Lexus sponsored the event with car placement - on the runway itself! The Lexus LC 500 and Lexus RCF Track Edition were positioned front and center becoming a focal point and anchoring the runway. Jamal Sims (Aladdin movie choreographer) directed the show to perfection. The culmination of movement, set design, hair and make up by Paul Mitchell Schools and of course, the fashion, made for a spectacular presentation.

Lastly but most certainly not least, Octavius Terry, the man behind the vision and the Art Institute of Atlanta’s Fashion Coordinator said this was a “dream come true.” Terry, who is a menswear designer, joined the Art Institute nearly two years ago and from the beginning talked about bringing together all departments for an all-inclusive, collaborative production that, under faculty guidance, would be 100% student driven and produced. His dream was realized and more.

Octavius Terry debuted his FW 20/21 menswear collection titled “Octavius Marison.” The fourteen look collection offered an elevated interpretation of streetwear meets sartorial elegance. “The mix of modern living and antiquated living (near the Wall of China)” was an inspiration said Terry. “Kill Bill came to mind because it is all about the underdog rising and that’s what I felt about our school, faculty, students and also myself.” The collection was rich in color and pattern. It was edgy yet wearable. An obsession-worthy key element to the collection were the various ponchos with bold zipper hardware. A definite must-have.

And just as we thought things couldn’t get bigger or better, the grand finale came with a Proclamation for Octavius Terry presented by Councilman Antonio Brown - an emotional highlight of the evening.

History was made at the Art Institute of Atlanta. On all levels.

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Fashion Veteran Octavius Terry and Top Atlanta Fashion Designers Guide Students of The Art Institute of Atlanta To Runway Success

Seventeen up-and-coming fashion designers to showcase their work

alongside Terry’s at a Japanese Street Racing themed show.

Fashion designer, Octavius Terry

Fashion designer, Octavius Terry

On March 14, 2020, seventeen designers from The Art Institute of Atlanta will showcase the talent, determination, and creativity they’ve transformed into their Fall/Winter 20/21 and Spring ‘21 collections. The show will take place at The Art Institute of Atlanta located at 6600 Peachtree Dunwoody Rd, Atlanta, GA 30328. The evening begins with a VIP reception at 4 p.m. and followed by the runway show at 6 p.m.

The show is the brainchild of Octavius Terry, fashion designer and fashion design program director at The Art Institute of Atlanta. Current fashion students at the school vied for the opportunity to show their collections at the event. Designers were vetted and selected by the school’s fashion faculty and seventeen were chosen to proceed in designing a mini-collection of three to six looks based on the theme of “Tokyo Drift.” Each designer was mentored along the way by elite Atlanta fashion professionals Brandin Vaughn, Ismael Pacheco, Jasmine Elder, Kudzanai Karidza, and Reco Chapple. The seventeen student designers’ work will be shown alongside Terry’s Fall/Winter 20/21 collection titled “OCTAVIUS MARISON” at the event and promises to be a night to remember in Atlanta fashion.

“These designers understand that fashion is more than buzz worthy garments. It’s a process that involves inspiration, sketching, fabric selection, garment construction, and endless revisions before a creation can be shown,” said Terry. “They’ve overcome challenges and pushed their creative limits. Along the way, they’ve proven that they have what it takes to design and present a collection on the runway.”

The show is giving more than these seventeen students a glimpse into the life of fashion. “Current students in The Art Institute’s programs have helped to create an event that will wow the Atlanta fashion community and make the show an annual staple on the city’s fashion calendar,” said Campus President Elden Monday. “The filming, graphic design, catering, and audio for the event are all being handled by our students. Culinary students will cater the event, film and photography students will capture the evening’s excitement by camera, industrial design and graphic students have helped to design sets and materials as well. Across the campus, this event gives students the opportunity to work on a real-life project and make an impact in the arts.”

Carlton Lee Studios is assisting with set design and famed choreographer Jamal Sims is directing and co- producing for the event. Tickets for the VIP party and event can be purchased HERE.

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PLANET FASHION TV BRINGS SUSTAINABLE NEW YORK FASHION WEEK

New York City was hopping during New York Fashion Week 2020! From February 6 - 12, the streets of Manhattan were bustling with fashion designers and executives, media, models, fashionistas and the fashion curious -- all running between NYFW events held throughout Manhattan and Brooklyn to see the latest cutting-edge fashions for the new year. Among the events was Sustainable New York Fashion Week, held at Chelsea Piers - Pier 59. A boutique luxury exhibition, Sustainable NYFW highlighted eight sustainable designers from various corners of the world whose fashions were made with earth-preserving processes and/or recycled materials.

Over 800 attendees packed the gorgeous Current Room overlooking the Hudson River, watching the designer shows and panel talks, browsing the pop-up shops and sampling the various food and drinks provided by the event sponsors. The 7-hour event was produced and emceed by Celia Evans of the Miami-based media production company Planet Fashion TV.

The Designers

The exhibition featured eight trailblazing fashion designers whose missions are to conserve the earth’s resources by using sustainable, eco-friendly materials and/or use sustainable processes in creating their fashion wear and accessories. Each designer spoke about their fashions and how they were made in engaging panel discussions moderated by Evans, held before each show. The designers who presented were:

New Zealand-born designer Debra Lee Cheyne of Butterscotch Castle who deconstructs and redesigns vintage and discarded apparel and fabrics to create chic women’s fashion wear;

Australian jewelry designer Angela Clarke of Angela Clarke Jewelry who creates sustainable and ethical jewelry pieces made of beads, stones, and Swarovski crystals;

Australian brand Bamboozld who manufacture socks and undergarments out of sustainable bamboo material,

UnisBrands NYFW Event Fashionado

Pennsylvanian designer Nick Unis of UnisBrands developed a machine to make plastic bottles into fabric that he then crafts in to hip sneakers;

Wildling Shoes NYFW Event Fashionado

German shoe brand Wildling Shoes that protect healthy feet from injury or the environment but also help protect the environment by using environmentally-friendly materials and resource-saving production techniques;

New Yorker sustainable designer and teacher Bridgett Artise of Born Again Vintage gives vintage garments that have lost their luster another chance at being fashionable, recycling fabrics and textiles into timeless pieces;

KINDOM is a sustainable and ethical apparel and accessories brand based in Los Angeles.

Leafy Natural Couture NYFW Event Fashionado

Brazilian designer Silvia Vassão of Leafy Natural Couture was not present at the event, but 10 of her designs were shown as the grand finale for the event. Silvia creates luxury women’s couture hand-woven with hand-spun silk from Brazilian silkworms.

The evening included a keynote speech by the United Nations Sustainable Development Specialist Francesca Zoppi. In her talk, Zoppi discussed the United Nations' sustainability goals, including reducing global emissions, ocean cleanup and ethical wages.

Planet Fashion TV is a half hour syndicated series in HD and 4K produced by Sea Star Films production company based out of Miami Florida. Coverage includes fast segmented stories on art, architecture, luxury products, automotive, cutting edge eco products, interior design, music fashion and cultural trends in different cities around the world. This is a travel meets style show. planetfashiontv.com

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CAAFD NYFW F/W20

CAAFD Selected Designers Received Rave Reviews During New York Fashion Week Fall/Winter 2020 Showcase

CAAFD (The Council of Aspiring American Fashion Designers) staged its seasonal approved outstanding designers during New York Fashion Week with a lineup of talented returning designers from past seasons from around the globe. This season, CAAFD selected 3 of their top designers from past seasons to kick-off NYFW. Sania Maskatiya, Yufash and Ruth Zabetta were among the top designers showcased this season. Various other designers unveiled their new collection during a standing room only embraced with raved audience reviews. The CAAFD’s seasonal showcase is part of the official platform with a partnership with IMG and Pier 59 Studios.  

Cafd Fashion RF20 Sania Maskatiya Fashionado

Sania Maskatiya is a Pakistan-based designer belonging to a new generation of fashion talent from the region. Breaking conventions, she has been quick to become Pakistan’s most lauded designer. She was among a few of the top emerging global brands selected.  This season, Sania Maskatiya returned to the NYFW stage for a third season with CAAFD presenting her full collection under her primary brand, SANIA MASKATIYA. Featuring breezy hand-woven fabrics, delicately cut and layered, embroidered with geometric and pastoral motifs, it lends ‘white-on-white’ a freshly fanciful energy. Sania Maskatiya uses only pure, luxe white fabrics that are cut and draped in a range of directional but feminine silhouettes. The brand engages the finest craftsmen across Pakistan, hailing from generations of artisans practicing time-honored craftsmanship and embroideries.

Cafd Fashion RF20 Yufash Fashionado

 Kadri Klampe is an Estonian-born,  founder and designer created Yufash as a unique and forward-thinking brand made for the confident and powerful women of the world, with all garments fabricated exclusively in England. Founded in 2015, Klampe and Yufash have since experienced skyrocketing popularity, including having designs featured on the hit television series Scream Queens. Yufash is one of the few designers chosen as part of the CAAFD’s incubate/nurturing program, returning for her third seasonal showcase after her previous career-defining CAAFD showcases. The Evening wear captures the resilience, strength and elegance of this landscape’s inhabitants. This 16-piece collection features layered beading inspired by wild patterns and structures, combined with Yufash’s signature reflective prints. A stark contrast is found in the meeting of organic influences and Yufash’s signature modernity. The combination of long metallic draped gowns with zebra and leopard beaded gloves, captures the very essence of this season’s collection. An organic strong spirit is evident in waist gathered coats with wide collars, emulating the kings and queens who walk this land.

Cafd Fashion RF20 Ruth Zabetta Fashionado

 Ruth Zabetta,  designer Ruth Zabetta was raised in both Spain as well as the Dominican Republic, which imparts a unique cultural influence on her designs. Known for modern lines and cuts which still maintain a feminine presence, Ruth Zabetta  strives to create beautiful silhouettes that are consistent through all the pieces. This season’s collection is inspired by Earth/ Nature. Ruth Zabetta is among the few designers chosen as part of the CAAFD’s incubate/nurturing program, returning for her fourth seasonal showcase.

As in every season, the Council of Aspiring American Fashion Designers (CAAFD) hand-picks some of the finest talents in the global fashion industry. This season, the committee decided to focus on a few of their past designers. CAAFD aims to develop more opportunities to more talents with the passion and the ambition to contribute into the world of the global fashion community. 

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Atlanta Fashion Week Officially Announced

Atlanta Fashion Week (ATLFW) was officially announced with the City of Atlanta Mayor’s Office of Film and Entertainment, Invest Atlanta, RAGTRADE ATLANTA and more at the W Atlanta-Buckhead hotel. Atlanta Fashion Week will take place August 5 – 9, 2020 and will host a series of runway shows, fashion presentations, shops and industry talks. The city-wide event will feature a diverse group of local, national and global designers and talent.

atlfw atlanta fashion week

Diversity and inclusion will play a major role in not only positioning Atlanta as a global fashion destination, but the success of Atlanta Fashion Week. With a highly acclaimed reputation and influence in pop culture, Atlanta is primed to intersect fashion, tech, music and visual arts on a national stage.

The Mayor’s Office of Film & Entertainment under the direction of Phillana Williams committed their support and resources to ensure the success of Atlanta Fashion Week. Williams also spoke to the positive impact fashion week will have on Atlanta’s economic growth including culture, commerce and jobs. Lonnie Soobar, director of small business development for Invest Atlanta shared additional insight about the many programs the agency provides to support local designers. Saboor also shared Invest Atlanta’s commitment to expanding their small business programs further. Philanthropic Educator and Founder of Fashionado.net, E. Vincent Martinez discussed how Atlanta Fashion Week will benefit fashion students with real life experience and how the platform will assist in retaining talent in the Atlanta market. Tracey Lloyd, district manager of JC Penny shared three key reasons why Atlanta is uniquely positioned to deliver on a fashion week; discussing how demand, supply and culture are closely aligned with our retail community. Robert Woolridge, general manager of W Atlanta-Buckhead shared his excitement around the launch of Atlanta Fashion Week and how his property is in full support.

Angela Watts, producer of Atlanta Fashion Week (centered) shares her vision about the upcoming show in 2020.

Angela Watts, producer of Atlanta Fashion Week (centered) shares her vision about the upcoming show in 2020.

Atlanta Fashion Week is committed to evolving into a global fashion destination with the mission of celebrating diversity, innovation and creativity in fashion. Our primary goal is to create an interactive hub for fashion designers where trend-setting work is celebrated before it reaches a mainstream audience. Atlanta Fashion Week is the ultimate resource for fashion designers and represents fashion as a conduit for expression in technology, music and visual arts.

Visit ATLFW HERE & Join their mailing list.

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