Harlem's Fashion Row featuring Johnathan Hayden at NYFW

Harlem's Fashion Row, HFR, kicked off NYFW with four runway collections including The Art Institutes' Ai Dallas alumnus, Johnathan Hayden with his SS22 womenswear line. Ai LIVE's E. Vincent Martinez caught up with Johnathan after the runway for his reaction. Also featured, view the runway collections from designers, Harbison, June 79, Tier NYC and a cameo by Vogue's Anna Wintour.

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DESIGNER JOHNATHAN HAYDEN RISING THROUGH THE RANKS IN FASHION

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Fashion designer, Johnathan Hayden, The Art Institute of Dallas 2012 Alumnus, is being recognized for his work - a new face for the fashion industry as it confronts diversity and inclusion to promote genuine talent.

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As the fashion and retail landscape dramatically shifts across America, the opportunity for emerging brands has attracted attention to his eponymous womenswear brand. Despite Covid-19, he has quickly shifted to producing masks for the NYC community in partnerships with local nonprofits. His “Made in America” approach to ethical manufacturing was awarded a small grant from NYC non-profit, Harlem’s Fashion Row’s ICON 360 initiative (a recipient of $1 million from The Council of Fashion Designers of America x VOGUE’s “Common Thread” $5 million fund), 1 of 27 designers of color allocated funding. He credits The Art Institute for his equipping him with a strong technical design and production background developing quality design as the industry confronts demands for social consciousness amongst global environmental and racial equity concerns. Featured this month in Vogue Mexico’s editorial on young design talent, he speaks to the rigor and patience it has taken to make is stake in the international fashion industry:

"I may have been naïve to leap into the title of Fashion Designer, but like I said earlier, I was raised with a strict sense of duty to a greater whole—building community. So when I ‘found’ my brand, that sounds like it was an accident, something to happen by chance. But the truth is I have forged this brand. When asked, I point to everything around me in my studio and say, “This wasn’t built because of a ‘yes’. Everything you see exists despite every exclusionary ‘no’,” for whatever reason. I don’t know what the future looks like, but I know what I am trying to work towards. I’d like to see fashion truly exercise inclusion to reimagine what that means. To me, that’s listening to more voices and then, as a fashion designer, using my brand as a lens for that idealism to aspire towards."

Johnathan Hayden is a luxury designer label founded in 2016 having debuted its first collection at Rakuten Fashion Week TOKYO in October 2019. The New-York based hybrid-designer unites his interest in technology and fashion to create luxury clothing with adaptive details. Hayden has worked with nonprofit organizations like non-profit Open Style Lab at Parsons specializing in inclusive clothing for people with disabilities and continues to explore meaningful applications of technology in design showcased at The Metropolitan Museum of Art.

AiLive host, E. Vincent Martinez, speaks with Johnathan Hayden, a NYC fashion designer, creative consultant, textbook illustrator and Art Institute of Dallas graduate.

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Reese Cooper FW20 Menswear

For Fall / Winter 2020, designer Reese Cooper asks himself the existential question: “If a tree falls does it make a sound?”

Following on from his award as CFDA/Vogue Fashion Fund runner-up, Cooper’s next chapter confirms his core inspirations—vintage Americana fused with the great outdoors and his impressive sustainability goals. The designer embraces an elevated technical approach and combines it with the brand’s sustainable fabrics - such as knitwear made from cotton and recycled paper and a new denim wash technique called Wiser Wash® that utilizes less than one cup of water.


The collection is by far his largest to date and features an array of bespoke fabrics including a waterproof forest scene; embroidered foliage; and custom camouflage—all designed in-house.

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Ecco Domani® Announces $50,000 Donation to the Meals on Wheels COVID-19 Response Fund AND Reveals Collaboration with Fashion Designer Brandon Maxwell

 Ecco Domani Pinot Grigio today announced a $50,000 donation to the Meals on Wheels COVID-19 Response Fund established by Meals on Wheels America. Inspired by fashion designer Brandon Maxwell, who has previously supported the organization and whom Ecco Domani enlisted to give its bottle a bold new look for the 2020 summer season, the donation will benefit the Meals on Wheels COVID-19 Response Fund to help local senior nutrition providers actively responding to the evolving COVID-19 crisis across the U.S., as well as assist with the supply of nutritious meals to vulnerable senior citizens during this pandemic.

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While Brandon Maxwell's limited-edition label will hit shelves nationwide on June 1, Ecco Domani was inspired to lend its support and unveil the collaboration early after seeing Maxwell's commendable, proactive response to help those affected by the current crisis.

"Brandon Maxwell's bold approach to design was one of the initial reasons we were drawn to partnering with him," said Maud Pansing, Vice President of Marketing for Ecco Domani. "Not only does Brandon inspire us through design, but his recent philanthropic efforts encouraged us to provide support through our own donation commitment to Meals on Wheels America. We're filled with pride to announce our limited-edition label collaboration with Brandon and hope Ecco Domani fans and consumers everywhere can look forward to embracing their statement-making style this summer."

Brandon Maxwell officially announced his partnership with Ecco Domani on his Instagram yesterday, offering viewers a first look at his limited-edition label which is dressed in his signature monogram and leopard print designs. Classically chic, the label's standout pattern complements Ecco Domani's timeless, quality flavor profile, making it a trusted Pinot Grigio for nearly 25 years. The limited-edition label from Brandon Maxwell marks Ecco Domani’s sixth iteration of its annual Designer Label program.

"When Ecco Domani initially approached me to design a limited-edition label, it felt synchronistic as I grew up around the brand through my father's distribution company," said Brandon Maxwell. "For the design, I drew inspiration from my Fall/Winter 2019 collection to create a label that fully captures Ecco Domani's bold personality and offers consumers the opportunity to make a confident statement, even if enjoying a glass from the comforts of home."

The limited-edition label from Brandon Maxwell marks Ecco Domani's sixth iteration of its annual Designer Label program. The eye-catching bottle will be available for purchase in stores and via third-party delivery services nationwide beginning June 1, 2020.

Brandon Maxwell is a luxury women's ready-to-wear label launched in New York in 2015. The brand was born out of the desire to make women feel beautiful, sophisticated and powerful, with timeless garments that are impeccably tailored. With a focus on craftsmanship, the entire collection is designed in New York City.

Maxwell was awarded the 2019 CFDA Award for Womenswear Designer of the Year, the 2019 FGI Fashion Star Award, the 2019 Texas Medal of Art for Design, the 2018 Woolmark New York Semi Final Prize Award, 2016 Fashion Group International Rising Star Award for Womenswear, the 2016 CFDA Swarovski Award for Womenswear, and was named a finalist for the 2016 LVMH Prize. Maxwell is a judge on Bravo TV's Project Runway.

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CFDA + Vogue Launch Program to Fight COVID-19

In response to the pandemic, the CFDA/Vogue Fashion fund has been repurposed and rechristenend A Common Thread. Tom Ford and Anna Wintour Photo credit: Clint Spaulding/WWD

In response to the pandemic, the CFDA/Vogue Fashion fund has been repurposed and rechristenend A Common Thread. Tom Ford and Anna Wintour Photo credit: Clint Spaulding/WWD

“What can we do?”

Anna Wintour posed that question to CFDA chairman Tom Ford earlier this month in reference to the coronavirus pandemic that has devastated the fashion industry. Both notoriously proactive and intrepid, they came up with a plan within days: to repurpose the CFDA/Vogue Fashion Fund, shifting focus from emerging designers to all the American fashion community who are severely financially impacted by the COVID-19 fallout.

The initiative, renamed A Common Thread, aims to raise awareness as well as money. Beginning March 25, designers and those who work behind the scenes across the industry can submit videos in which they tell their fashion stories, including the impact of the pandemic on their careers and lives. The videos will live on the digital platforms of the CFDA, Vogue and all Condé Nast titles. The program utilizes the hashtag #cvffacommonthread.

Logo for A Common Thread, the CFDA/Vogue Fashion Fund COVID-19 Relief Fund.

Logo for A Common Thread, the CFDA/Vogue Fashion Fund COVID-19 Relief Fund.

Wintour came up with the name A Common Thread, the logo for which features a sewing needle and red thread in the shape of a rose, the needle pulling the thread and piercing the bloom. Word of the program will go out to CFDA membership today in a letter penned by Wintour, which she and Ford signed.

“It’s easy to feel helpless as the news changes hour by hour, and the challenges it all presents only seem to grow and become more insurmountable as time goes on,” it reads.

To lessen the sense of isolation and desperation, the message encourages members to take advantage of available city and state resources, listed on the CFDA web site. “Yet,” the letter continues, “the question remains for us: What can we do to help?”

A Common Thread is Wintour and Ford’s initial answer. Although the fund’s parameters have been fully defined, designers and brands seeking relief can apply on the CFDA web site beginning on April 8.

“We’ve created a fund, now we have to fill it. Then we have to figure out who gets that money,” Ford said on Monday, noting that significant details — criteria for consideration; who will decide how funds are allotted and to whom — “need to be fleshed out.”Already established: The program is open to designers and brands across the industry. They need not be former CFDA/Vogue Fashion Fund winners, nor even CFDA members. While the selection committee remains TBD, it will include people from both within and outside of Vogue and the CFDA, according to Ford.“We’re rushing to put this together as fast as possible because we want to let everyone have a voice in this. We want to do something,” he said.

See Also: Fashion Industry Comes Together to Fight Coronavirus Pandemic

The CFDA/Vogue Fashion Fund has awarded $6.6 million in prize money since its inception, with the most recent annual purse a total of $700,000 distributed among the winner and two runners-up. Those resources will be transferred to A Common Thread. In addition, there’s a crowd-funding element. As of today, donors can contribute by texting “thread” to 44321 or online at givelively.org, a fund-raising platform for nonprofits. Suggested amounts range from $5 to $100 to name-your-number.If that approach seems modest relative to the devastation wrought by COVID-19, Ford and Wintour will likely seek major-donor contributions going forward.

There is no reason that we’re not at some point going to be hitting up larger companies for bigger contributions,” Ford said. “It will really depend on what happens after all this is over. If it only lasts three months, I think we’ll be able to raise more money than if it drags on and on.”Yet it’s one thing to offer a young, fledgling designer-led company a first prize of $400,000 and mentorship by an industry leader to help kick-start his or her business. It’s quite another to, in a meaningful way, help an entire, vast industry comprised of thousands of businesses, many of them already challenged before the virus struck, to rebound in a landscape that’s almost completely dark, producing next to zero revenue for who knows how long. The level of relief required (if any amount will be enough) is more in line with that sought in a parallel CFDA effort spearheaded by Tory Burch made known over the weekend — explicit inclusion in the near-$2 trillion federal stimulus package now being battled over in Congress.Ford praised that effort, and stressed the necessity of its success. “I have to say, Tory has done a great job,” he said. He added that while the letter sent to President Trump and signed by the CFDA and a host of other industry organizations “was quite general,” in behind-the-scenes exchanges, “people were getting quite specific.”By comparison, what A Common Thread can deliver is modest. “We’re not senators,” Ford said, while noting that the two efforts serve overlapping but not identical purposes.To that end, A Common Thread’s storytelling component should resonate powerfully. “There is symbolism to it and in a way, maybe that’s the bigger part of it — uploading videos, putting faces to everyone who’s out of a job, who needs a job, giving them a place where they can communicate that. I think the power of that will affect the funds we’re able to raise, and from whom.“Whether you’re a seamstress or a tailor, whether you work in a shop, whether you’re a fashion designer, whether you’re someone who won the Vogue/CFDA Fashion Fund, you will [send in] videos to the site,” Ford continued. “I think that the more we can put faces to the individuals who are suffering, the more help we’ll be able to get.”

See Also: Fashion Groups Seek Government Aid

To that end, fashion suffers from an image problem. Though a huge industry that’s central to the economy and employs, including retail, millions of workers in a vast array of mostly unglamorous disciplines on every imaginable pay scale, generally, when people think of the fashion industry they don’t conjure images of seamstresses, patternmakers, production people and retail sales associates. Rather, they envision its glamour deities — celebrities like Wintour and Ford.Worse, they often project a world in a bubble, an elite, exquisitely dressed bubble whose denizens live to be on the front end of the next hot handbag launch while flaunting chic attitude. “Let’s face it, a lot of people think fashion is frivolous,” Ford said.

Wintour concurs that perception is not only misguided but dangerous, particularly now. “[Too many people] think about fashion in a very narrow sense,” she told WWD on Sunday. “They’re not thinking about all the different layers that are involved, whether it’s the factories or the supply chain or those who supply raw materials, or the truck drivers who deliver the goods. It stretches out so many different ways. I think it’s the biggest employer in the country. People are not thinking about it in that way. They’re thinking about it as a very niche business, and that is a mistake.”

One for which fashion itself must accept a share of responsibility. “People see the glossy surface,” Ford said. “That’s what we as fashion designers and the fashion industry work to show the world — we work to show people the glossy surface that makes them want to shop and buy the products. So they’re not aware of everything that goes on behind it.

”That must change now. “We have to educate,” Ford offered.

Which speaks to the importance of A Common Thread’s video project. “It’s very important to put faces to this,” he said, noting the resonant power of Tom and Rita Hanks going public with their diagnoses, as well as the tragedy of the New Jersey family that has lost four members to COVID-19. “When you see the photographs, when you hear the stories,” Ford said, “it touches you emotionally far more than statistics will.”

Source: WWD /  Bridget Foley

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The CFDA and Retail Industry Sends Letter to the White House Calling for Support Amidst Coronavirus Crisis

Lower Manhattan streets are all but emptied of shoppers. Photo: VogueRunway/Getty Images

Lower Manhattan streets are all but emptied of shoppers. Photo: VogueRunway/Getty Images

As the coronavirus pandemic has taken hold of the U.S. over the last week, designers have been outspoken about the challenges facing the fashion industry in this crisis. Citing impending cash flow issues for brands up and down the price spectrum Prabal Gurung told Vogue that “this situation will not be fixed by a sale.” Brandon Maxwell, for his part, said “my main focus through all of this is going to be my team and keeping everyone employed, number one, and making sure everyone is feeling healthy, mentally and physically.” Retailers, too, have been forthright about the struggles posed by “stay-at-home” and “shelter in place” regulations. “The supply chain is severely affected by this. I can only imagine, in the coming months, how it will affect things for next season... There is no question that it will be a challenging year ahead of us,” said Andrew Dryden, the co-founder of LA’s menswear mecca Departamento.

Yesterday, the CFDA and 90 business groups including the National Retail Federation, the Accessories Council, and the Fashion Footwear Association of New York brought their concerns to the White House, sending a letter to President Trump calling for economic stabilization efforts amidst the coronavirus pandemic. The letter begins by commending the Administration and Congress for their public health efforts and actions to minimize the economic fallout caused by the spread of the virus. It goes on, however, to state: “The economic harm from social distancing and mandatory store closures is real. Layoffs and economic hardship will surely follow, particularly for smaller, specialty retailers and brands. The biggest single issue facing the industry right now is liquidity, and federal stimulus efforts must be swift and flexible enough to address the urgent need for access to credit to keep these businesses afloat.” The letter concludes by encouraging policymakers to develop proposals that support the retail workforce and to provide a “bridge” for retail businesses of all sizes to stay viable during the crisis.

“The fashion business has been hit hard and from every angle. American Fashion is a $400 billion driving force of the US economy employing 4 million people, not including retail jobs. The retail industry is the nation’s largest private-sector employer, contributing $4 trillion to annual GDP and supporting one in four U.S. jobs—53 million working Americans,” said Tom Ford, Chairman of the Board of the CFDA. “Tory Burch has been actively driving a CFDA effort to urge the President and Congress that fashion and retail be part of any stimulus packages being developed. She quickly organized a group of industry leaders who were behind the letter that was sent the President on Saturday. The CFDA’s strength lies within it members, and we are thankful for Tory’s commitment to our industry.”

“It is imperative that our government, the federal reserve, regulators, and the public understand the vital importance of our industry to the overall economy of the United States,” Burch told Vogue. “Directly and indirectly we are one of the largest employers and contributors to the GDP. We must make our voices heard ... for our industry and our country!”

John Idol, the Chairman and CEO of Capri Holdings, parent company of Michael Kors, Versace, and Jimmy Choo, echoed Burch’s sentiments: “As with all Americans, the most important issue facing us is employment. We know that this pandemic will eventually subside and the industry will return to a new normal. In the interim, we need financial assistance in the form of immediate payroll subsidies, no-interest loans, and extended tax-payment relief in order for us to continue our commitment to retain our employees.”

In Washington DC today, negotiations around a stimulus package of approximately $1.4 trillion are ongoing. As the retail industry waited to hear the outcome—an announcement is expected Monday morning—Marc Metrick, the President of Saks Fifth Avenue, emphasized the importance of community: “Our utmost priority is the health and well-being of our people, customers, and communities. Our industry has historically faced and overcome a number of headwinds. This situation is not only unprecedented, but also constantly evolving. The best and most important thing we can do today is to work together as an industry, so that all of us can weather this storm and come out the other side.”

Source: Nicole Phelps/ VogueRunway

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The Future of Fashion

The future of fashion is with Une Belle Revolution so, if our future is held within our youth, then I can firmly say that with the talent coming from UBR, the future will most certainly be stylish. UBR is lead by Ms. V. Kottavei Williams who works tirelessly and passionately harnessing the creative spirit of her young and ambitious students. This unique fashion design program was created eighteen years ago by fashionado’s E. Vincent Martinez and taken over by Ms. Williams in 2012.

So exactly what is Une Bell Revolution and what makes it so special? UBR is Grady High School’s fashion design program - yes, high school. Grady High School is a gem, the shining star within its school district, excelling in the arts: visual, music, photography and fashion.

With Ms. Williams at the helm of the fashion program, her students are operating at a college level. They are learning garment construction, pattern making, special sewing techniques and illustration. By their senior year, UBR students are designing, creating and producing cohesive capsule collections. The annual runway show is a awe-inspiring and energetic celebration of the vision, talent and creativity of our youth.

Since the beginning of the fashion program, graduating designers have gone off to notable fashion schools like the Art Institute of Atlanta, Scad and FIT to name a few.

DOTC - Doggies on the Catwalk founder, E. Vincent Martinez presented Ms. Williams with a donation for her program. DOTC was created by Martinez in his Grady High School classroom 12 years ago and in alignment with the DOTC Foundation’s mission of su…

DOTC - Doggies on the Catwalk founder, E. Vincent Martinez presented Ms. Williams with a donation for her program. DOTC was created by Martinez in his Grady High School classroom 12 years ago and in alignment with the DOTC Foundation’s mission of supporting arts programs and fashion schools, the SEAM Grant has been created. Une Belle Revolution is its first recipient. SEAM - Supporting Education in Apparel Mastery.

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