Givenchy Dresses The Weeknd For 55th Super Bowl Halftime Show

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Creative Director Matthew M. Williams designed custom pieces especially for the superstar's performance.  

During the Super Bowl LV Halftime Show, The Weeknd wore a fully hand-embroidered jacket with crystals, realized by the Givenchy Haute Couture atelier in Paris. A feat of savoir-faire, it required four embroiderers and more than 250 hours to complete. This jacket was worn over a black cotton poplin shirt and wool trousers accessorized with black leather tie, and gloves, as well as black and white derbies.  While made especially for this performance, The Weeknd's outfit reflects the sharp tailoring, minimalism and intense contrast Mr. Williams brought to his debut collection for the House of Givenchy.

"It's truly an honor to have dressed The Weeknd for his incredible Super Bowl show," said Matthew M. Williams. "To me, fashion is all about infusing what you wear with a unique personality, and The Weeknd brought his look to life with his energy, character and sense of style."

The Weeknd's cinematic Super Bowl LV performance was followed by an estimated audience of more than 100 million viewers who tuned in to watch the NFL championship game between the Tampa Bay Buccaneers and the Kansas City Chiefs at the Raymond James Stadium in Tampa.

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FARHAD RE PARIS FASHION WEEK HAUTE COUTURE SS21

FARHAD RE PARIS FASHION WEEK HAUTE COUTURE SS21

This is the eternal story of an artist who falls in love with his creation ... No one in the real life can match this perfection that he created with his own hands. The work that came out of his imagination meets all his expectations.

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ZIAD NAKAD COUTURE SS21 PFW

ZIAD NAKAD COUTURE SS21 PFW

For Spring/Summer 2021 haute couture, the Birds of Paradise of the Lebanese designer Ziad Nakad landed at the Château de Vaux-Le-Vicomte for an exquisite collection full of colors, symbols and of course, glamour. Ziad Nakad's designs are typified by their classy soul, potent femininity, and attention to the tiniest detail.

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GLOBAL FASHION COLLECTIVE I & II NYFW F/W20

GLOBAL FASHION COLLECTIVE I

Delicate details, sustainability and traditional techniques lead the way for the first show from Global Fashion Collective, NYFW.

“We are bringing in more and more multicultural and inspiring designers each season to emphasize our commitment to diversity and innovative design.” - Jamal Abdourahman, GFC

First to hit the runway was Taiwanese brand WooLeeX who delivered an effortlessly cool collection. Recognized for their beautiful blend of Taiwanese culture with cultures from around the world, this collection is an alluring amalgamation of civilizations. Known for integrating art work into fashion, we were treated to literal pieces of art floating down the runway. Drawing their inspiration from Butchard Garden in Victoria, British Columbia, the collection had a flare of timeless yet modern charm. Floral courageous prints commanded this set delivering stunning statement pieces. A color palette of bold colors and black and white paired beautifully with Taiwanese's traditional cultures like embroidery and dragons, made for a unique and enchanting experience.

Japanese brand LAVEC was up next. Describing the collection in one word as LOVE. Deriving her inspiration from self-love, family, people, plants, food, animals and the earth, she created a collection based on sustainability. With most fabrics being 100% organic cotton and ecological meaning they are made by using reduced material, this collection has brought a new and modern twist to the runway. The color palette was a stunning mix of black, white beige with electric blue pops of color in between.

global fashion collective wmtm niuniu chou nyfw fashionado

To close the show, Chinese brand, WMTM by NiuNiu Chou, commanded the runway with its traditional and striking pieces and fierce child models. Describing the collection in one word as heritage, the main inspiration behind the collection was Chinese vintage. The heritage theme ran deep within this collection with fabrics over 70 years old and made from the craftsman with the traditional technique. The colorful palette was the perfect pairing with this historic and timeless collection.

GLOBAL FASHION COLLECTIVE II

Vibrant colors, defined edges and traditional influences lead the way for Global Fashion Collectives second show at New York Fashion Week.

Australian design brand The Arlo Studio were first up. Created by designer duo Charlotte Terry and Julianne Propsting, this brand embraces the philosophy that women have powerful and integral roles to play in society and their clothes should reflect this. This philosophy was deeply embedded in this collection. Most notably through the functionality and the high quality fabric of the clothing, allowing the collection to be both beautiful and long lasting. Each design flowed both softly yet strongly down the runway.Tailored to perfection these pieces were the perfect mix of practicality and femininity.

Next up, a dramatic entrance and dynamic show from GFC’s youngest designer Shun Oyama Tokyo. At only 22 years old, this young Japanese talent is set to take the fashion industry by storm. Using an eclectic mix of brocade and upholstery fabric, each piece was like lighting striking the runway. Drawing from an array of earth tones and silhouettes, each piece spoke volumes with its own unique personality, yet it was united by the common theme of fabric. Inspired by classic Japanese and European fashion mixed into a modern perspective, dramatic shoulder pads and defined edges made for an emotional and powerful collection.

Gigi Wang took us on a passage through time from traditional China to contemporary times. The inspiration for this collection comes from Chinese tradition. Parent-child costumes are used to express the passing on and inheritance of Chinese folk culture to the next generation.This united relationship of old and new is seen through the combination of traditional Chinese fabrics and new modern environmentally-friendly fabrics. Vibrant colors like bright orange and green.and traditional embroidery breathed life into this beautiful collection.

Closing the show, Chicago based designer, Alicia Perillo drew inspiration from a William Gibson novel ‘Idoru’. Written in 1995, he predicted that the avatar will take over the world. Perillo described her collection in one word as ‘inclusive futurism’.

A beautiful mix of silks, brocade and orange cottons made for a stunning show.

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MARIA ARISTIDOU COUTURE SPRING SUMMER 2019

You don’t always know what ‘s hidden behind a closed door and even when you think you do, you always wonder if you are right. A closed door is, more often than not, a mystery to all of us. We are humans and curiosity is, whether we like it or not, a human imperfection. And when that door has an arch and a keystone, intertwining to form a coherent symplexis, it becomes a mystical and wondrous gate, behind which imagination can run wild! So, open it. If you dare.

Maria Aristidou’s Spring/Summer 2019 knit couture collection was quite the challenge. Inspiration for the pattern came from a single vintage arched door found during a walk inside the old city walls of Nicosia. The simplicity of the door’s facade, together with the complexity of the engineering behind it, gave rise to a series of design trials that lead to this fine timeless pattern for the fabrics of SS 2019 collection. Hand embroidery embellishments on a colorful palette of luxurious knit fabrics made by the designer, capture the beauty and the essence of a woman. Unexpected cuts on timeless classic designs with modern details are the signature of the designer's Spring/Summer 2019 "Symplexis" collection.

In 2015 Maria Aristidou introduced her first A/W 2015 Limited Knit Scarf Collection, a beginning of a new concept in her designs. The magic of knitwear inspired her to first explore and then create, using luxurious threads and elaborate techniques, various knit patterns. The craftsmanship of detailed hand embroideries adds to the uniqueness of Maria Aristidou's fabric collections for the couture evening and accessories.

The process of fabric production for each collection starts from the very beginning. Yarns such as wool, viscose, lurex, cotton, silk and velvet (depending on the season the designer works on) are ordered from Paris and Italy. Then, a series of patterns, first designed on paper, are passed on to the computer knit programmer to be then processed by the programs set for the knitting machines. What follows is a series of testings to establish which yarn will be used on which machine and for which pattern, how thick or thin the fabric will be, color sampling combinations, hand-embroidery design testing, quality and durability checks etc. The only fabric that is actually bought, and not produced by the designer, is the lining needed for each garment.

Once the desired patterns are developed, and the fabric samples are finalized and tested, the fabric production takes place. That is, cutting and sewing (with finishings done with knit trimming on each piece of the garment) along with hand embroidery. All production takes place in Cyprus.

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La Métamorphose HAUTE COUTURE PARIS FASHION WEEK SS19

In the gardens of La Métamorphose, the woman is certainly a flower that opens, but this woman conquers her femininity. Though delicate in her strength, she is a multifaceted woman, muse, but also leader.

Pastels emphasize opened rosebuds, the whites for purity and light. The sharp shapes symbolize determination.

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